Three Photoshop Moves That Make Hair Color Look Like It Was Lit by God
Portrait retouching has a way of exposing every gap in your workflow. I’ve handed off photos where everything looked great, the skin, the background, the lighting, and then a client comes back asking why the hair looks flat and kind of muddy. Turns out I’d been ignoring it entirely. Hair color is one of those things that reads as “fine” until you see it done right, and then you can’t unsee the difference.