Stop Cranking Saturation on Portraits (Use This Instead)
Every working designer has done it. You’ve got a portrait that feels a little flat, so you drag Saturation up and suddenly your subject looks like they’ve been marinaded in Hawaiian Punch. You dial it back, feel vaguely guilty, and move on. I did this for longer than I care to admit before I finally took the time to understand what Vibrance actually does differently, and why it’s almost always the better choice when people are in the frame.