Video Tutorials
Color Grading Video in Photoshop: Local vs. Global Adjustments (And Why It Actually Works)
Most of my work lives in still images. Composites, retouching, the occasional logo a client describes as “clean but also edgy.” Video always felt like someone else’s problem. Then a client handed me raw footage and asked me to “make it look cinematic,” and suddenly it was very much my problem. I didn’t want to learn Premiere for one project, and After Effects felt like jumping into the deep end wearing a backpack full of bricks.