Video Tutorials
Get Low, Go Wide: Two Compositional Tricks That Change How Your Landscapes Hit
I spent a genuinely embarrassing amount of time wondering why my landscape shots looked flat. Same location as photographers I admired, similar gear, roughly similar light. The photos just sat there. Turns out I was committing the cardinal wide-angle sin: standing up like a normal human being and pointing my camera at things from eye level like I was taking a mugshot of the horizon. The foreground, which is literally the most interesting part of a wide-angle landscape, was barely there.