Adobe Camera Raw

Adobe Camera Raw Just Quietly Got Way Better at Complex Edges (And Nobody's Talking About It)
News

Adobe Camera Raw Just Quietly Got Way Better at Complex Edges (And Nobody's Talking About It)

The Update Nobody’s Celebrating Yet I stumbled onto something in Adobe Camera Raw last week that made me genuinely excited—which, let’s be honest, doesn’t happen often with software updates. While everyone’s been distracted by whatever shiny new feature Adobe’s marketing team is pushing, two legitimately useful masking tools snuck into the latest version, and I’m convinced they’re about to change how we approach selective adjustments. Here’s the thing: these aren’t revolutionary in concept, but they’re revolutionary in execution.

RAW Brushes in Photoshop Are Doing Work I Didn't Know I Was Missing
Video Tutorials

RAW Brushes in Photoshop Are Doing Work I Didn't Know I Was Missing

I was working on a portrait retouch last month, bouncing between Photoshop and Lightroom like some kind of indecisive ping-pong ball, trying to get localized adjustments to feel natural without flattening the whole image. Luminosity masks, adjustment layers, the works. It was taking forever and still looking a little… cooked. Then I stumbled onto this tutorial by Kelvin Designs on RAW brushes inside Adobe Camera Raw, and it was one of those moments where you realize you’ve been doing something the long way around for years.